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Pulling from both her new album, When We All Fall Asleep, Where Do We Go?, and from her 2017 EP, dont smile at me, Eilish was on stage as she is on record: free but formally sound, refreshingly weird without too much pretense. But Billie is building a very big, very goth tent: I even saw a thirtysomething man in a tucked-in polo shirt turn to one of his boat-shoed buddies and say, gravely: “Dude… I don’t think she’s coming.”Įilish did come out, 30 minutes past her scheduled start time (presumably because of technical difficulties-she brought out Vince Staples only for his mic to be dead). Soon you could see panic on the faces of young fans, some of whom circled up and gestured angrily, deciding whether to stay true to the cause or make alternate plans. A rumor spread that the 17-year-old phenom may not even show up, and by the time she was 20 minutes late for her set at the Outdoor Theatre, it had morphed into a dozen new, unkillable strains: Billie was still hours away in Los Angeles this was a fakeout, and Billie was going to start singing from the middle of the crowd Billie was having a panic attack in her trailer Billie was protesting Coachella organizer AEG. Though the Coachella lineup may seem predictable to the point of inevitability now, a sense of spontaneous drama ripped through the festival before Billie Eilish took the stage Saturday evening. It was an audacious turn at the top of the marquee, even if Glover has yet to become a consistently engaging musician.
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In between songs, Glover spoke in cryptic, urgent fragments, at one point musing about his father’s passing. But where Murai’s camera in Guava Island (or in “Atlanta”) plays to Glover’s considerable strengths as an actor-especially his eyes and the way they project distrust-the Coachella set was shot in a way that emphasized a Glover who was always in motion, confronting the audience and the viewer at home.Ĭameras tracked him closely and rendered him in jarring HD on screens beside the stage he was always shirtless and usually bathed in colored light of some kind. For the performance, Glover was again photographed expertly. Guava Island, which co-stars Rihanna, is charming but narratively undercooked, and it works most interestingly as a tonal counterpoint to Glover’s Friday night set itself. It stars Glover as a rebellious musician on a tropical island that is under the brutal rule of a sort of paramilitary capitalist regime (the film is now available exclusively on Amazon Prime). The 55-minute movie, tenderly shot in Havana by Glover’s frequent collaborator Hiro Murai, is something like Purple Rain shrunk way down for a short run on cable. The 35-year-old headlined Friday night under his Childish Gambino moniker amid excited whispers about Guava Island, a project of his that had been shrouded in mystery and debuted for a small number of people in the desert just the night before.
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No one embodied that auteurist ambition like Donald Glover.